Nikolai Karakhan (1900–1970)
“Going to Work”
In the foreground, a group of three dehkan farmers is depicted from behind, moving briskly to the left. The group consists of two men and one woman in the center. All of them are dressed in traditional clothing and carry hoes on their shoulders. Behind them, on the right, there is a settlement and a bright yellow sky.
Alexander Shevchenko (1883–1948)
“Portrait of a Power Plant Shock Worker”
A portrait of a young man shown frontally. His head is turned three-quarters to the right. His right arm, bent at the elbow, is positioned at chest level. His index finger is bandaged. With his left hand, he holds a magazine resting on his knees. He is dressed in a dark suit and a light shirt. Behind him is a blackboard with mathematical formulas, and to the right a gray wall; in its upper part is a blue chart with drawings.
Alexander Volkov (1886–1957)
“Cart”. Reverse side: “Model”
In right profile, a horse harnessed to a cart is depicted. A figure dressed in yellow sits on the horse, leaning its head to the right. On the cart sit two female figures; both tilt their heads to the left—one dressed in orange, the other in blue. In front of the cart is a running figure in red clothing. The two seated women and the running figure are set against the background of the cart’s large wheel. The entire composition is constructed from geometric shapes: triangles, squares, and circles. On the reverse side, a seated nude model is depicted with red and green drapery.
Klement Redko (1897–1956)
“Motherhood”
The entire surface of the canvas depicts a woman leaning over a child standing on her legs. The woman’s right hand is placed on the child’s belly. The child is urinating. He is dressed in a brown shirt and short trousers. His hair is light, wavy, with a straight fringe. The woman is depicted in a loose, floor-length dress with a deep neckline. Her hair is gathered at the back of her head in a bun with a blue comb inserted.
Solomon Nikritin (1898–1965)
“Portrait of a Girl in Red”
The painting depicts a girl seated on a chair in a half-turn to the left. She wears a red dress with a round neckline and short sleeves. Her arms are crossed over her chest. The lower part of her legs is cropped by the edge of the canvas. The stool is red-brown. The background is red, slightly lighter than the dress.
Konstantin Istomin (1886–1942)
“Moscow Landscape”. 1922
In the foreground, there is a corner of a snow-covered yard, where three twisted trunks of leafless bushes appear dark. In the middle ground on the left is a brownish-red blank wall of a tall building, adjacent to a lower structure of the same reddish-brown color with a short chimney. Behind them, to the left, rises a building with a light-colored wall, black windows, and a dark greenish roof with chimneys, above which towers and pipes of other city structures appear. On the right, stretching diagonally into the depth, are roofs and walls of lower houses with dark window openings. The sky is pinkish-blue.
Elena Korovay (1901–1974)
“The Tailors”
In a pointed arch opening, the figure of a man dressed in black clothing and a black cap is outlined, seated on a stool by a sewing machine, sewing something from white fabric. To his right, in the depth of the space, stands a boy in green holding a porcelain teapot and two flatbreads. Outside, samples of garments are hanging. On the left are ochre and pink robes, and on the right a dark red one. On the left side, a walking boy is depicted, his profile cut off by the edge of the composition, while his legs and the lower part of a dog running after him are also cropped by the edge of the canvas. The painting is impasto, in some places applied with a palette knife.
Урал Тансыкбаев (1904-1974)
«Багряная осень». 1931
На первом плане, внизу, на оранжевую поверхность земли падает бордовая тень. Слева - часть растения массивными листьями. Справа паукообразное растение с круглыми мелкими листочками. На втором плане, слева, изображен в фас, сидящий под деревом мужчина в голубых штанах и розовом халате. Справа в профиль синий ослик. За ним - три дерева. Кроны всех четырёх деревьев сливаются, напоминают цветки оранжевого цвета. За деревьями светло-зелёные и темно-зелёные склоны холмов.
Игорь Савицкий (1915 – 1984)
«Сквер перед Советом Министров»
За деревьями в глубине работы стоит здание Совета Министров. Перед зданием разбит цветник. Справа, рядом с клумбой цветов стоят две женские фигуры в красном и голубом платьях. Слева, за деревьями растут пышные, красные цветы. Небо светло-голубого цвета.
Николай Карахан (1900-1970)
"Прокладка водопровода в Бухаре"
На первом плане, в нижней части картины, по пояс в профиль влево изображен узбек в темной с белыми пятнами тюбетейке. Голова опущена вниз, лицо и тело темно-оранжевого цвета. Слева, у края холста, спиной к зрителю, во весь рост, крупным планом стоит узбек в белых до колен штанах, запрокинув голову, пьет из горшка воду. За ними, в центре, трое идущих друг за другом узбеков в белых до колен штанах, в зеленых тюбетейках несут синюю трубу. За ними - группа пионеров. В центре - пионер с красными знаменем в руках. Справа идет реставрация здания, слева - зеленый водоем. На втором плане - архитектурный ансамбль с куполами. По верхнему краю кусочки синего неба.